第 2 节
作者:乐乐陶陶      更新:2021-02-24 23:07      字数:9321
  Causes of the decline of their influence
  Corruption of most human institutions
  The Jesuits become rich and then corrupt
  Esprit de corps of the Jesuits
  Their doctrine of expediency
  Their political intrigues
  Persecution of the Protestants
  The enemies they made
  Madame de Pompadour
  Suppression of the Order
  Their return to power
  Reasons why Protestants fear and dislike them
  JOHN CALVIN。
  PROTESTANT THEOLOGY。
  John Calvin's position
  His early life and precocity
  Becomes a leader of Protestants
  Removes to Geneva
  His habits and character
  Temporary exile
  Convention at Frankfort
  Melancthon; Luther; Calvin; and Catholic doctrines
  Return to Geneva; and marriage
  Calvin compared with Luther
  Calvin as a legislator
  His reform
  His views of the Eucharist
  Excommunication; etc
  His dislike of ceremonies and festivals
  The simplicity of the worship of God
  His ideas of church government
  Absence of toleration
  Church and State
  Exaltation of preaching
  Calvin as a theologian; his Institutes
  His doctrine of Predestination
  His general doctrines in harmony with Mediaeval theology
  His views of sin and forgiveness; Calvinism
  He exacts the same authority to logical deduction from admitted
  truths as to direct declarations of Scripture
  Puritans led away by Calvin's intellectuality
  His whole theology radiates from the doctrine of the majesty of God
  and the littleness of man
  To him a personal God is everything
  Defects of his system
  Calvin an aristocrat
  His intellectual qualities
  His prodigious labors
  His severe characteristics
  His vast influence
  His immortal fame
  LORD BACON。
  THE NEW PHILOSOPHY。
  Lord Bacon as portrayed by Macaulay
  His great defects of character
  Contrast made between the man and the philosopher
  Bacon's youth and accomplishments
  Enters Parliament
  Seeks office
  At the height of fortune and fame
  His misfortunes
  Consideration of charges against him
  His counterbalancing merits
  The exaltation by Macaulay of material life
  Bacon made its exponent
  But the aims of Bacon were higher
  The true spirit of his philosophy
  Deductive philosophies
  His new method
  Bacon's Works
  Relations of his philosophy
  Material science and knowledge
  Comparison of knowledge with wisdom
  GALILEO。
  ASTRONOMICAL DISCOVERIES。
  A brilliant portent
  The greatness of the sixteenth century
  Artists; scholars; reformers; religious defenders
  Maritime discoveries
  Literary; ecclesiastical; political achievements
  Youth of Galileo
  His early discoveries
  Genius for mathematics
  Professor at Pisa
  Ridicules the old philosophers; invents the thermometer
  Compared with Kepler
  Galileo teaches the doctrines of Copernicus。
  Gives offence by his railleries and mockeries。
  Theology and science
  Astronomical knowledge of the Ancients
  Utilization of science
  Construction of the first telescope
  Galileo's reward
  His successive discoveries
  His enemies
  High scientific rank in Europe
  Hostility of the Church
  Galileo summoned before the Inquisition; his condemnation and
  admonition
  His new offences
  Summoned before a council of Cardinals
  His humiliation
  His recantations
  Consideration of his position
  Greatness of mind rather than character
  His confinement at Arceti
  Opposition to science
  His melancholy old age and blindness
  Visited by John Milton; comparison of the two; when blind
  Consequence of Galileo's discoveries
  Later results
  Vastness of the universe
  Grandeur of astronomical science
  BEACON LIGHTS OF HISTORY。
  DANTE。
  A。D。 1265…1321。
  RISE OF MODERN POETRY。
  The first great genius who aroused his country from the torpor of
  the Middle Ages was a poet。  Poetry; then; was the first influence
  which elevated the human mind amid the miseries of a gloomy period;
  if we may except the schools of philosophy which flourished in the
  rising universities。  But poetry probably preceded all other forms
  of culture in Europe; even as it preceded philosophy and art in
  Greece。  The gay Provencal singers were harbingers of Dante; even
  as unknown poets prepared the way for Homer。  And as Homer was the
  creator of Grecian literature; so Dante; by his immortal comedy;
  gave the first great impulse to Italian thought。  Hence poets are
  great benefactors; and we will not let them die in our memories or
  hearts。  We crown them; when alive; with laurels and praises; and
  when they die; we erect monuments to their honor。  They are dear to
  us; since their writings give perpetual pleasure; and appeal to our
  loftiest sentiments。  They appeal not merely to consecrated ideas
  and feelings; but they strive to conform to the principles of
  immortal art。  Every great poet is as much an artist as the
  sculptor or the painter: and art survives learning itself。  Varro;
  the most learned of the Romans; is forgotten; when Virgil is
  familiar to every school…boy。  Cicero himself would not have been
  immortal; if his essays and orations had not conformed to the
  principles of art。  Even an historian who would live must be an
  artist; like Voltaire or Macaulay。  A cumbrous; or heavy; or
  pedantic historian will never be read; even if his learning be
  praised by all the critics of Germany。
  Poets are the great artists of language。  They even create
  languages; like Homer and Shakspeare。  They are the ornaments of
  literature。  But they are more than ornaments。  They are the sages
  whose sayings are treasured up and valued and quoted from age to
  age; because of the inspiration which is given to them;an insight
  into the mysteries of the soul and the secrets of life。  A good
  song is never lost; a good poem is never buried; like a system of
  philosophy; but has an inherent vitality; like the melodies of the
  son of Jesse。  Real poetry is something; too; beyond elaborate
  versification; which is one of the literary fashions; and passes
  away like other fashions unless; redeemed by something that arouses
  the soul; and elevates it; and appeals to the consciousness of
  universal humanity。  It is the poets who make revelations; like
  prophets and sages of old; it is they who invest history with
  interest; like Shakspeare and Racine; and preserve what is most
  vital and valuable in it。  They even adorn philosophy; like
  Lucretius; when he speculated on the systems of the Ionian
  philosophers。  They certainly impress powerfully on the mind the
  truths of theology; as Watts and Cowper and Wesley did in their
  noble lyrics。  So that the most rapt and imaginative of men; if
  artists; utilize the whole realm of knowledge; and diffuse it; and
  perpetuate it in artistic forms。  But real poets are rare; even if
  there are many who glory in the jingle of language and the
  structure of rhyme。  Poetry; to live; must have a soul; and it must
  combine rare things;art; music; genius; original thought; wisdom
  made still richer by learning; and; above all; a power of appealing
  to inner sentiments; which all feel; yet are reluctant to express。
  So choice are the gifts; so grand are the qualities; so varied the
  attainments of truly great poets; that very few are born in a whole
  generation and in nations that number twenty or forty millions of
  people。  They are the rarest of gifted men。  Every nation can boast
  of its illustrious lawyers; statesmen; physicians; and orators; but
  they can point only to a few of their poets with pride。  We can
  count on the fingers of one of our hands all those worthy of poetic
  fame who now live in this great country of intellectual and
  civilized men; one for every ten millions。  How great the pre…
  eminence even of ordinary poets!  How very great the pre…eminence
  of those few whom all ages and nations admire!
  The critics assign to Dante a pre…eminence over most of those we
  call immortal。  Only two or three other poets in the whole realm of
  literature; ancient or modern; dispute his throne。  We compare him
  with Homer and Shakspeare; and perhaps Goethe; alone。  Civilization
  glories in Virgil; Milton; Tasso; Racine; Pope; and Byron;all
  immortal artists; but it points to only four men concerning whose
  transcendent creative power there is unanimity of judgment;
  prodigies of genius; to whose influence and fame we can assign no
  limits; stars of such surpassing brilliancy that we can only gaze
  and wonder;growing brighter and brighter; too; with the progress
  of ages; so remarkable that no barbarism will ever obscure their
  brightness; so original that all imitation of them becomes
  impossible and absurd。  So great is original genius; directed by
  art and consecrated to lofty sentiments。
  I have assumed the difficult task of presenting one of these great
  lights。  But I do not presume to analyze his great poem; or to
  point out critically its excellencies。  This would be beyond my
  powers; even if I were an Italian。  It takes a poet to reveal a
  poet。  Nor is criticism