第 7 节
作者:扑火      更新:2021-02-19 21:35      字数:9321
  He goes no more to sleep; than he takes a 〃constitutional〃 with his hoop
  and   hoopstick。      The   child   amuses   himself   up   to   the   last   of   his   waking
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  moments。       Happily; in the search for amusement; he is apt to learn some
  habit or to cherish some toy; either of which may betray him and deliver
  him up to sleep; the enemy。           What wonder; then; if a child who knows
  that everyone in the world desires his peace and pleasure; should clamour
  for   companionship       in  the  first  reluctant   minutes    of  bed?    This    child;
  being   happy;   did   not   weep   for   what   he   wanted;  he   shouted   for   it   in   the
  rousing tones of his strength。 After many evenings of this he was told that
  this was precisely the vociferous kind of wakefulness that might cause the
  man with two heads to show himself。
  Unable to explain that no child ever goes to sleep; but that sleep; on
  the   contrary;   〃goes〃   for   a   child;   the   little   boy   yet   accepted   the   penalty;
  believed in the man; and kept quiet for a time。
  There was indignation in the mother's heart when the child instructed
  her   as   to  what   might    be  looked    for  at  his  bedside;    she  used   all  her
  emphasis in assuring him that no man with two heads would ever trouble
  those   innocent   eyes;   for   there   was   no   such   portent   anywhere   on   earth。
  There is no such heart…oppressing task as the making of these assurances
  to a child; for whom who knows what portents are actually in wait!                    She
  found him; however; cowering with laughter; not with dread; lest the man
  with   two   heads   should   see   or   overhear。   The   man   with   two   heads   had
  become his play; and so was perhaps bringing about his sleep by gentler
  means than the nurse had intended。             The man was employing the vacant
  minutes of the little creature's flight from sleep; called 〃going to sleep〃 in
  the inexact language of the old。
  Nor    would    the  boy    give  up   his  faith  with   its  tremor   and   private
  laughter。     Because a child has a place for everything; this boy had placed
  the monstrous man in the ceiling; in a corner of the room that might   be
  kept out of sight by the bed curtain。           If that corner were left uncovered;
  the fear would grow stronger than the fun; 〃the man would see me;〃 said
  the little boy。    But let the curtain be in position; and the child lay alone;
  hugging the dear belief that the monster was near。
  He was earnest in controversy with his mother as to the existence of
  his man。     The man was there; for he had been told so; and he was there to
  wait for 〃naughty boys;〃 said the child; with cheerful self…condemnation。
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  The little boy's voice was somewhat hushed; because of the four ears of
  the   listener;   but   it   did   not   falter;   except   when   his   mother's   arguments
  against the existence of the man seemed to him cogent and likely to gain
  the day。      Then   for   the   first   time   the   boy  was   a   little   downcast;   and   the
  light of mystery became dimmer in his gay eyes。
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  CHILDREN IN BURLESQUE
  Derision; which is so great a part of human comedy; has not spared the
  humours   of   children。       Yet   they   are   fitter   subjects   for   any   other   kind   of
  jesting。    In   the   first   place   they   are   quite   defenceless;   but   besides   and
  before   this;   it   might   have   been   supposed   that   nothing   in   a   child   could
  provoke the equal passion of scorn。             Between confessed unequals scorn is
  not even suggested。         Its derisive proclamation of inequality has no sting
  and no meaning where inequality is natural and manifest。
  Children rouse the laughter of men and women; but in all that laughter
  the tone of derision is more strange a discord than the tone of anger would
  be; or the tone of theological anger and menace。 These; little children have
  had   to   bear   in   their   day;   but   in   the   grim   and   serious   moodsnot   in   the
  playof their elders。       The wonder is that children should ever have been
  burlesqued; or held to be fit subjects for irony。
  Whether   the   thing   has   been   done   anywhere   out   of   England;   in   any
  form;   might   be   a   point   for   enquiry。    It   would   seem;   at   a   glance;   that
  English art and literature are quite alone in this incredible manner of sport。
  And even here; too; the thing that is laughed at in a child is probably
  always a mere reflection of the parents' vulgarity。                None the less it is an
  unintelligible   thing   that   even   the   rankest   vulgarity   of   father   or   mother
  should      be  resented;    in   the  child;   with    the  implacable      resentment     of
  derision。
  John Leech used the caricature of a baby for the purposes of a scorn
  that   was   not   angry;   but   familiar。  It   is   true   that   the   poor   child   had   first
  been burlesqued by the unchildish aspect imposed upon him by his dress;
  which   presented   him;   without   the   beauties   of   art   or   nature;   to   all   the
  unnatural ironies。       Leech did but finish him in the same spirit; with dots
  for the childish eyes; and a certain form of face which is best described as
  a    fat   square    containing     two    circlesthe     inordinate     cheeks    of   that
  ignominious baby。          That is the child as Punch in Leech's day preserved
  him;     the  latest  figure    of  the  then    prevailing    domestic     raillery   of  the
  domestic。
  In like manner did Thackeray and Dickens; despite all their sentiment。
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  Children   were   made   to   serve   both   the   sentiment   and   the   irony   between
  which those two writers; alike in this; stood double… minded。                 Thackeray;
  writing of his snobs; wreaks himself upon a child; there is no worse snob
  than    his  snob…child。     There     are  snob…   children    not  only   in  the   book
  dedicated to their parents; but in nearly all his novels。             There is a female
  snob…child in 〃Lovel the Widower;〃 who may be taken as a type; and there
  are snob…children   at   frequent intervals   in   〃Philip。〃      It is not   certain that
  Thackeray intended the children of Pendennis himself to be innocent and
  exempt。
  In   one   of   Dickens's    early   sketches    there   is  a  plot   amongst     the
  humorous dramatis personae; to avenge themselves on a little boy for the
  lack of tact whereby his parents have brought him with them to a party on
  the   river。   The   principal   humorist   frightens   the   child   into   convulsions。
  The incident is the success of the day; and is obviously intended to have
  some kind of reflex action in amusing the reader。                In Dickens's maturer
  books the burlesque little girl imitates her mother's illusory fainting…fits。
  Our    glimpses     of  children    in  the   fugitive   pages    of   that  day   are
  grotesque。      A   little   girl   in   Punch   improves   on   the   talk   of   her   dowdy
  mother   with   the   maids。     An   inordinate   baby   stares;   a   little   boy   flies;
  hideous; from some hideous terror。
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  AUTHORSHIP
  Authorship prevails in nurseriesat least in some nurseries。               In many
  it is probably a fitful game; and since the days of the Brontes there has not
  been   a   large   family   without   its   magazine。    The   weak   point   of   all   this
  literature is its commonplace。          The child's effort is to write something as
  much like as possible to the tedious books that are read to him; he is apt to
  be   fluent   and   foolish。   If   a   child   simple   enough   to   imitate   were   also
  simple enough not to imitate he might write nursery magazines that would
  not bore us。
  As   it   is;   there   is   sometimes   nothing   but   the   fresh   and   courageous
  spelling   to   make   his   stories   go。 〃He;〃   however;   is   hardly   the   pronoun。
  The girls are the more active authors; and the more prosaic。                  What they
  would write had they never read things written for