第 12 节
作者:这就是结局      更新:2021-02-19 18:29      字数:9321
  women detest the books which the collector desires and admires。                      First;
  they  don't understand them;   second;   they  are   jealous   of their   mysterious
  charms; third; books cost money; and it really is a hard thing for a lady to
  see money expended on what seems a dingy old binding; or yellow paper
  scored   with   crabbed   characters。       Thus   ladies    wage   a   skirmishing     war
  against booksellers' catalogues; and history speaks of husbands who have
  had to practise the guile of smugglers when they conveyed a new purchase
  across     their  own    frontier。    Thus     many    married    men    are   reduced     to
  collecting     Elzevirs;   which    go   readily   into  the   pocket;   for   you   cannot
  smuggle   a   folio   volume   easily。     This   inveterate   dislike   of   books   often
  produces      a  very   deplorable     result   when    an   old   collector   dies。    His
  〃womankind;〃 as the Antiquary called them; sell all his treasures for the
  price    of   waste…paper;      to   the   nearest   country     bookseller。      It   is  a
  melancholy duty which forces one to introduce such topics into a volume
  on 〃Art at Home。〃         But this little work will not have been written in vain
  if it persuades ladies who inherit books not to sell them hastily;  without
  taking    good    and   disinterested    opinion    as   to  their  value。    They     often
  dispose of treasures worth thousands; for a ten pound note; and take pride
  in the bargain。      Here; let history mention with due honour the paragon of
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  her   sex   and   the   pattern   to   all   wives   of   book…collecting   men   Madame
  Fertiault。     It is thus that she addresses her lord in a charming triolet (〃Les
  Amoureux du Livre;〃 p。 xxxv):…
  〃Le   livre   a   ton   esprit   。   。   。   tant   mieux!   Moi;   j'ai   ton   coeur;   et   sans
  partage。 Puis…je desirer   davantage? Le livre   a ton   esprit   。 。  。  tant   mieux!
  Heureuse de te voir joyeux; Je t'en voudrais 。 。 。 tout un etage。 Le livre a
  ton esprit 。 。 。 tant mieux! Moi; j'ai ton coeur; et sans partage。〃
  Books rule thy mind; so let it be! Thy heart is mine; and mine alone。
  What   more   can   I   require   of   thee?   Books   rule   thy   mind;   so   let   it   be!
  Contented when thy bliss I see; I wish a world of books thine own。 Books
  rule thy mind; so let it be! Thy heart is mine; and mine alone。
  There   is   one   method   of   preserving   books;   which;   alas;   only   tempts
  the    borrower;     the   stealer;   the   rat;  and   the   book…worm;        but   which     is
  absolutely      necessary     as   a  defence     against    dust   and    neglect。    This     is
  binding。      The bookbinder's art too often destroys books when the artist is
  careless; but it is the only mode of preventing our volumes from falling to
  pieces;   and   from   being   some   day   disregarded   as   waste…paper。            A  well…
  bound   book;   especially   a   book   from   a   famous   collection;   has   its   price;
  even if its literary contents be of trifling value。              A leather coat fashioned
  by    Derome;      or  Le    Gascon;     or  Duseuil;     will   win   respect    and    careful
  handling      for  one    specimen      of  an   edition   whereof      all  the  others    have
  perished。      Nothing is so slatternly as the aspect of a book merely stitched;
  in   the   French   fashion;   when   the   threads   begin   to   stretch;   and   the   paper
  covers to curl and be torn。           Worse consequences follow; whole sheets are
  lost; the volume becomes worthless; and the owner must often be at the
  expense of purchasing another copy; if he can; for the edition may now be
  out   of   print。   Thus   binding   of   some   sort   not   only   adds   a   grace   to   the
  library; presenting to the eye the cheerful gilded rows of our volumes; but
  is a positive economy。           In the case of our cloth…covered English works;
  the need   of   binding   is   not   so   immediately  obvious。         But   our   publishers
  have a taste for clothing their editions in tender tones of colour; stamped;
  often; with landscapes printed in gold; in white; or what not。                    Covers like
  this; may or may not please the eye while they are new and clean; but they
  soon become dirty and hideous。                When a   book is covered   in cloth of   a
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  good dark tint it may be allowed to remain unbound; but the primrose and
  lilac hues soon call out for the aid of the binder。
  Much has been written of late about book…binding。                   In a later part of
  this manual we shall have something to say about historical examples of
  the art; and the performances of the great masters。                 At present one must
  begin by giving the practical rule; that a book should be bound in harmony
  with its character and its value。          The bibliophile; if he could give the rein
  to his passions; would bind every book he cares to possess in a full coat of
  morocco; or (if it did not age so fast) of Russia leather。               But to do this is
  beyond   the   power   of   most   of   us。    Only   works   of   great   rarity   or   value
  should   be   full   bound   in   morocco。      If   we   have   the   luck   to   light   on   a
  Shakespeare quarto; on some masterpiece of Aldus Manutius; by all means
  let us entrust it to the most competent binder; and instruct him to do justice
  to the volume。        Let old English books; as More's 〃Utopia;〃 have a cover
  of stamped and blazoned calf。            Let the binder clothe an early Rabelais or
  Marot in the style favoured by Grolier; in leather tooled with geometrical
  patterns。      Let     a   Moliere     or   Corneille     be   bound      in  the    graceful
  contemporary        style   of  Le   Gascon;     where    the   lace…like   pattern    of  the
  gilding resembles the Venetian point…lace; for which La Fontaine liked to
  ruin   himself。     Let   a   binding;    a   la   fanfare;   in  the   style   of   Thouvenin;
  denote   a   novelist   of   the   last   century;   let   panelled   Russia   leather   array   a
  folio   of   Shakespeare;   and   let   English   works   of   a   hundred   years   ago   be
  clothed in the sturdy fashion of Roger Payne。               Again; the bibliophile may
  prefer to have the leather stamped with his arms and crest; like de Thou;
  Henri III。; D'Hoym; Madame du Barry; and most of the collectors of the
  seventeenth and eighteenth centuries。              Yet there are books of great price
  which one would hesitate to bind in new covers。                An Aldine or an Elzevir;
  in its old vellum or paper wrapper; with uncut leaves; should be left just as
  it came from the presses of the great printers。              In this condition it is a far
  more interesting relic。        But   a morocco case   may be   made   for the   book;
  and    lettered   properly     on  the   back;   so   that  the   volume;    though     really
  unbound;   may   take   its   place   with   the   bound   books   on   the   shelves。      A
  copy of any of Shelley's poems; in the original wrappers; should I venture
  to think be treated thus; and so should the original editions of Keats's and
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  of Mr。 Tennyson's works。            A collector; who is also an author; will perhaps
  like to have copies of his own works in morocco; for their coats will give
  them a chance of surviving the storms of time。                 But most other books; not
  of   the   highest    rarity   and   interest;   will  be   sufficiently   clothed     in  half…
  bindings; that is; with leather backs and corners; while the rest of the cover
  is of cloth or paper; or whatever other substance seems most appropriate。
  An Oxford tutor used to give half…binding as an example of what Aristotle
  calls    'Greek     text';   or  〃shabbiness;〃       and   when     we    recommend        such
  coverings   for   books   it   is   as   a   counsel   of   expediency;   not   of   perfection。
  But   we   cannot   all   be   millionaires;   and;   let   it   be   remembered;   the   really
  wise amateur will never be extravagant; nor let his taste lead him into 〃the
  ignoble   melancholy   of   pecuniary   embarrassment。〃               Let   the   example   of
  Charles   Nodier   be   our   warning;   nay;   let   us   remember   that   while   Nodier
  could   get   out   of   debt   by  selling his   collection;   OURS   will   probably  not