other。　　Moreover；　in　the　Gliss　triptych　the　intention　of　the
  designer　is　carried　out　（whether　by　himself　or　no）　with　admirable
  skill；　whereas　at　Saas　the　wisdom　of　the　workman　is　rather　of　Ober…
  Ammergau　than　of　the　Egyptians；　and　the　voice　of　the　poet　is　not　a
  little　drowned　in　that　of　his　mouthpiece。　　If；　however；　the　reader
  will　bear　in　mind　these　somewhat　obvious　considerations；　and　will
  also　remember　the　pathetic　circumstances　under　which　the　chapels
  were　designedfor　Tabachetti　when　he　reached　Saas　was　no　doubt
  shattered　in　body　and　mind　by　his　four　years'　imprisonmenthe　will
  probably　be　not　less　attracted　to　them　than　I　observed　were　many　of
  the　visitors　both　at　Saas…Grund　and　Saas…Fee　with　whom　I　had　the
  pleasure　of　examining　them。
  I　will　now　run　briefly　through　the　other　principal　works　in　the
  neighbourhood　to　which　I　think　the　reader　would　be　glad　to　have　his
  attention　directed。
  At　Saas…Fee　itself　the　main　altar…piece　is　without　interest；　as　also
  one　with　a　figure　of　St。　Sebastian。　　The　Virgin　and　Child　above　the
  remaining　altar　are；　so　far　as　I　remember　them；　very　good；　and
  greatly　superior　to　the　smaller　figures　of　the　same　altar…piece。
  At　Almagel；　an　hour's　walk　or　so　above　Saas…Grunda　village；　the
  name　of　which；　like　those　of　the　Alphubel；　the　Monte　Moro；　and　more
  than　one　other　neighbouring　site；　is　supposed　to　be　of　Saracenic
  originthe　main　altar…piece　represents　a　female　saint　with　folded
  arms　being　beheaded　by　a　vigorous　man　to　the　left。　　These　two
  figures　are　very　good。　　There　are　two　somewhat　inferior　elders　to
  the　right；　and　the　composition　is　crowned　by　the　Assumption　of　the
  Virgin。　　I　like　the　work；　but　have　no　idea　who　did　it。　　Two　bishops
  flanking　the　composition　are　not　so　good。　　There　are　two　other
  altars　in　the　church：　　the　right…hand　one　has　some　pleasing　figures；
  not　so　the　left…hand。
  In　St。　Joseph's　Chapel；　on　the　mule…road　between　Saas…Grund　and
  Saas…Fee；　the　St。　Joseph　and　the　two　children　are　rather　nice。　　In
  the　churches　and　chapels　which　I　looked　into　between　Saas　and
  Stalden；　I　saw　many　florid　extravagant　altar…pieces；　but　nothing
  that　impressed　me　favourably。
  In　the　parish　church　at　Saas…Grund　there　are　two　altar…pieces　which
  deserve　attention。　　In　the　one　over　the　main　altar　the　arrangement
  of　the　Last　Supper　in　a　deep　recess　half…way　up　the　composition　is
  very　pleasing　and　effective；　in　that　above　the　right…hand　altar　of
  the　two　that　stand　in　the　body　of　the　church　there　are　a　number　of
  round　lunettes；　about　eight　inches　in　diameter；　each　containing　a
  small　but　spirited　group　of　wooden　figures。　　I　have　lost　my　notes　on
  these　altar…pieces　and　can　only　remember　that　the　main　one　has　been
  restored；　and　now　belongs　to　two　different　dates；　the　earlier　date
  being；　I　should　imagine；　about　1670。　　A　similar　treatment　of　the
  Last　Supper　may　be　found　near　Brieg　in　the　church　of　Naters；　and　no
  doubt　the　two　altar…pieces　are　by　the　same　man。　　There　are；　by　the
  way；　two　very　ambitious　altars　on　either　side　the　main　arch　leading
  to　the　chance　in　the　church　at　Naters；　of　which　the　one　on　the　south
  side　contains　obvious　reminiscences　of　Gaudenzio　Ferrari's　Sta。
  Maria　frescoes　at　Varallo；　but　none　of　the　four　altar…pieces　in　the
  two　transepts　tempted　me　to　give　them　much　attention。　　As　regards
  the　smaller　altar…piece　at　Saas…Grund；　analogous　work　may　be　found
  at　Cravagliana；　half…way　between　Varallo　and　Fobello；　but　this　last
  has　suffered　through　the　inveterate　habit　which　Italians　have　of
  showing　their　hatred　towards　the　enemies　of　Christ　by　mutilating　the
  figures　that　represent　them。　　Whether　the　Saas　work　is　by　a
  Valsesian　artist　who　came　over　to　Switzerland；　or　whether　the
  Cravagliana　work　is　by　a　Swiss　who　had　come　to　Italy；　I　cannot　say
  without　further　consideration　and　closer　examination　than　I　have
  been　able　to　give。　　The　altar…pieces　of　Mairengo；　Chiggiogna；　and；　I
  am　told；　Lavertezzo；　all　in　the　Canton　Ticino；　are　by　a　Swiss　or
  German　artist　who　has　migrated　southward；　but　the　reverse　migration
  was　equally　common。
  Being　in　the　neighbourhood；　and　wishing　to　assure　myself　whether　the
  sculptor　of　the　Saas…Fee　chapels　had　or　had　not　come　lower　down　the
  valley；　I　examined　every　church　and　village　which　I　could　hear　of　as
  containing　anything　that　might　throw　light　on　this　point。　　I　was
  thus　led　to　Vispertimenen；　a　village　some　three　hours　above　either
  Visp　or　Stalden。　　It　stands　very　high；　and　is　an　almost　untouched
  example　of　a　medieval　village。　　The　altar…piece　of　the　main　church
  is　even　more　floridly　ambitious　in　its　abundance　of　carving　and
  gilding　than　the　many　other　ambitious　altar…pieces　with　which　the
  Canton　Valais　abounds。　　The　Apostles　are　receiving　the　Holy　Ghost　on
  the　first　storey　of　the　composition；　and　they　certainly　are
  receiving　it　with　an　overjoyed　alacrity　and　hilarious　ecstasy　of
  allegria　spirituale　which　it　would　not　be　easy　to　surpass。　　Above
  the　village；　reaching　almost　to　the　limits　beyond　which　there　is　no
  cultivation；　there　stands　a　series　of　chapels　like　those　I　have　been
  describing　at　Saas…Fee；　only　much　larger　and　more　ambitious。　　They
  are　twelve　in　number；　including　the　church　that　crowns　the　series。
  The　figures　they　contain　are　of　wood　（so　I　was　assured；　but　I　did
  not　go　inside　the　chapels）：　　they　are　life…size；　and　in　some　chapels
  there　are　as　many　as　a　dozen　figures。　　I　should　think　they　belonged
  to　the　later　half　of　the　last　century；　and　here；　one　would　say；
  sculpture　touches　the　ground；　at　least；　it　is　not　easy　to　see　how
  cheap　exaggeration　can　sink　an　art　more　deeply。　　The　only　things
  that　at　all　pleased　me　were　a　smiling　donkey　and　an　ecstatic　cow　in
  the　Nativity　chapel。　　Those　who　are　not　allured　by　the　prospect　of
  seeing　perhaps　the　very　worst　that　can　be　done　in　its　own　line；　need
  not　be　at　the　pains　of　climbing　up　to　Vispertimenen。　　Those；　on　the
  other　hand；　who　may　find　this　sufficient　inducement　will　not　be
  disappointed；　and　they　will　enjoy　magnificent　views　of　the　Weisshorn
  and　the　mountains　near　the　Dom。
  I　have　already　referred　to　the　triptych　at　Gliss。　　This　is　figured
  in　Wolf's　work　on　Chamonix　and　the　Canton　Valais；　but　a　larger　and
  clearer　reproduction　of　such　an　extraordinary　work　is　greatly　to　be
  desired。　　The　small　wooden　statues　above　the　triptych；　as　also　those
  above　its　modern　companion　in　the　south　transept；　are　not　less
  admirable　than　the　triptych　itself。　　I　know　of　no　other　like　work　in
  wood；　and　have　no　clue　whatever　as　to　who　the　author　can　have　been
  beyond　the　fact　that　the　work　is　purely　German　and　eminently
  Holbeinesque　in　character。
  I　was　told　of　some　chapels　at　Rarogne；　five　or　six　miles　lower　down
  the　valley　than　Visp。　　I　examined　them；　and　found　they　had　been
  stripped　of　their　figures。　　The　few　that　remained　satisfied　me　that
  we　have　had　no　loss。　　Above　Brieg　there　are　two　other　like　series　of
  chapels。　　I　examined　the　higher　and　more　promising　of　the　two；　but
  found　not　one　single　figure　left。　　I　was　told　by　my　driver　that　the
  other　series；　close　to　the　Pont　Napoleon　on　the　Simplon　road；　had
  been　also　stripped　of　its　figures；　and；　there　being　a　heavy　storm　at
  the　time；　have　taken　his　word　for　it　that　this　was　so。
  THOUGHT　AND　LANGUAGE　　｛16｝
  Three　well…known　writers；　Professor　Max　Muller；　Professor　Mivart；
  and　Mr。　Alfred　Russel　Wallace　have　lately　maintained　that　though　the
  theory　of　descent　with　modification　accounts　for　the　development　of
  all　vegetable　life；　and　of　all　animals　lower　than　man；　yet　that　man
  cannotnot　at　least　in　respect　of　the　whole　of　his　naturebe　held
  to　have　descended　from　any　animal　lower　than　himself；　inasmuch　as
  none　lower　than　man　possesses　even　the　germs　of　language。　　Reason；
  it　is　contendedmore　especially　by　Professor　Max　Muller　in　his
  〃Science　of　Thought；〃　to　which　I　propose　confining　our　attention
  this　eveningis　so　inseparably　connected　with　language；　that　the
  two　are　in　point　of　fact　identical；　hence　it　is　argued　that；　as　the
  lower　animals　have　no　germs　of　language；　they　can　have　no　germs　of
  reason；　and　the　inference　is　drawn　that　man　cannot　be　conceived　as
  having　derived　his　own　reasoning　powers　and　command　of　language
  through　descent　from　beings　in　which　no　germ　of　either　can　be　found。
  The　relations　therefore　between　thought　and　language；　interesting　in
  themselves；　acquire　additional　importance　from　the　fact　of　their
  having　become　the　battle…ground　between　those　who　say　that　the
  theory　of　descent　breaks　down　with　man；　and　those　who　maintain　that
  we　are　descended　from　some　ape…like　ancestor　long　since　extinct。
  The　contention　of　those　who　refuse　to　admit　man　unreservedly　into
  the　scheme　of　evolution　is　comparatively　recent。　　The　great
  propounders　of　evolution；　Buffon；　Erasmus　Darwin　and　Lamarcknot　to
  mention　a　score　of　others　who　wrote　at　the　close　of　the　last　and
  early　part　of　this　present　centuryhad　no　qualms　about　admitting
  man　into　their　system。　　They　have　been　followed　in　this　respect　by
  the　late　Mr。　Charles　Darwin；　and　by　the　greatly　more　influential
  part　of　our　modern　biologists；　who　hold　that　whatever　loss　of
  dignity　we　may　incur　through　being　proved　to　be　of　humble　origin；　is
  compensated　by　the　credit　we　may　claim　for　having　advanced　ourselves