第 3 节
作者:理性的思索      更新:2021-02-21 10:15      字数:9322
  chiefly notable for his divination of Tennyson as a great poet; for
  the rest; we can only trust the author of In Memoriam and the verdict
  of tradition。
  The studies of the poet at this time included original composition in
  Greek and Latin verse; history; and a theme that he alone has made
  poetical; natural science。  All poetry has its roots in the age
  before natural science was more than a series of nature…myths。  The
  poets have usually; like Keats; regretted the days when
  〃There was an awful rainbow once in heaven;〃
  when the hills and streams were not yet 〃dispeopled of their dreams。〃
  Tennyson; on the other hand; was already finding material for poetry
  in the world as seen through microscope and telescope; and as
  developed through 〃aeonian〃 processes of evolution。  In a notebook;
  mixed with Greek; is a poem on the Moonnot the moon of Selene; 〃the
  orbed Maiden;〃 but of astronomical science。  In Memoriam recalls the
  conversations on labour and politics; discussions of the age of the
  Reform Bill; of rick…burning (expected to 〃make taters cheaper〃); and
  of Catholic emancipation; also the emancipation of such negroes as
  had not yet tasted the blessings of freedom。  In politics Tennyson
  was what he remained; a patriot; a friend of freedom; a foe of
  disorder。  His politics; he said; were those 〃of Shakespeare; Bacon;
  and every sane man。〃  He was one of the Society of Apostles; and
  characteristically contributed an essay on Ghosts。  Only the preface
  survives:  it is not written in a scientific style; but bids us 〃not
  assume that any vision IS baseless。〃  Perhaps the author went on to
  discuss 〃veridical hallucinations;〃 but his ideas about these things
  must be considered later。
  It was by his father's wish that Tennyson competed for the English
  prize poem。  The theme; Timbuctoo; was not inspiring。  Thackeray
  wrote a good parody of the ordinary prize poem in Pope's metre:…
  〃I see her sons the hill of glory mount;
  And sell their sugars on their own account;
  Prone to her feet the prostrate nations come;
  Sue for her rice and barter for her rum。〃
  Tennyson's work was not much more serious:  he merely patched up an
  old piece; in blank verse; on the battle of Armageddon。  The poem is
  not destitute of Tennysonian cadence; and ends; not inappropriately;
  with 〃All was night。〃  Indeed; all WAS night。
  An ingenious myth accounts for Tennyson's success:  At Oxford; says
  Charles Wordsworth; the author was more likely to have been
  rusticated than rewarded。  But already (1829) Arthur Hallam told Mr
  Gladstone that Tennyson 〃promised fair to be the greatest poet of our
  generation; perhaps of our century。〃
  In 1830 Tennyson published the first volume of which he was sole
  author。  Browning's Pauline was of the year 1833。  It was the very
  dead hours of the Muses。  The great Mr Murray had ceased; as one
  despairing of song; to publish poetry。  Bulwer Lytton; in the preface
  to Paul Clifford (1830); announced that poetry; with every other form
  of literature except the Novel; was unremunerative and unread。
  Coleridge and Scott were silent:  indeed Sir Walter was near his
  death; Wordsworth had shot his bolt; though an arrow or two were left
  in the quiver。  Keats; Shelley; and Byron were dead; Milman's brief
  vogue was departing。  It seemed as if novels alone could appeal to
  readers; so great a change in taste had been wrought by the sixteen
  years of Waverley romances。  The slim volume of Tennyson was
  naturally neglected; though Leigh Hunt reviewed it in the Tatler。
  Hallam's comments in the Englishman's Magazine; though enthusiastic
  (as was right and natural); were judicious。  〃The author imitates no
  one。〃  Coleridge did not read all the book; but noted 〃things of a
  good deal of beauty。  The misfortune is that he has begun to write
  verses without very well understanding what metre is。〃  As Tennyson
  said in 1890; 〃So I; an old man; who get a poem or poems every day;
  might cast a casual glance at a book; and seeing something which I
  could not scan or understand; might possibly decide against the book
  without further consideration。〃  As a rule; the said books are
  worthless。  The number of versifiers makes it hard; indeed; for the
  poet to win recognition。  One little new book of rhyme is so like
  another; and almost all are of so little interest!
  The rare book that differs from the rest has a bizarrerie with its
  originality; and in the poems of 1830 there was; assuredly; more than
  enough of the bizarre。  There were no hyphens in the double epithets;
  and words like 〃tendriltwine〃 seemed provokingly affected。  A kind of
  lusciousness; like that of Keats when under the influence of Leigh
  Hunt; may here and there be observed。  Such faults as these catch the
  indifferent eye when a new book is first opened; and the volume of
  1830 was probably condemned by almost every reader of the previous
  generation who deigned to afford it a glance。  Out of fifty…six
  pieces only twenty…three were reprinted in the two volumes of 1842;
  which won for Tennyson the general recognition of the world of
  letters。  Five or six of the pieces then left out were added as
  Juvenilia in the collected works of 1871; 1872。  The whole mass
  deserves the attention of students of the poet's development。
  This early volume may be said to contain; in the germ; all the great
  original qualities of Tennyson; except the humour of his rural
  studies and the elaboration of his Idylls。  For example; in Mariana
  we first note what may be called his perfection and accomplishment。
  The very few alterations made later are verbal。  The moated grange of
  Mariana in Measure for Measure; and her mood of desertion and
  despair; are elaborated by a precision of truth and with a perfection
  of harmony worthy of Shakespeare himself; and minutely studied from
  the natural scenes in which the poet was born。  If these verses alone
  survived out of the wreck of Victorian literature; they would
  demonstrate the greatness of the author as clearly as do the
  fragments of Sappho。  Isabel (a study of the poet's mother) is almost
  as remarkable in its stately dignity; while Recollections of the
  Arabian Nights attest the power of refined luxury in romantic
  description; and herald the unmatched beauty of The Lotos…Eaters。
  The Poet; again; is a picture of that which Tennyson himself was to
  fulfil; and Oriana is a revival of romance; and of the ballad; not
  limited to the ballad form as in its prototype; Helen of Kirkconnell。
  Curious and exquisite experiment in metre is indicated in the Leonine
  Elegiacs; in Claribel; and several other poems。  Qualities which were
  not for long to find public expression; speculative powers brooding;
  in various moods; on ultimate and insoluble questions; were attested
  by The Mystic; and Supposed Confessions of a Second…rate Sensitive
  Mind not in Unity with Itself; an unlucky title of a remarkable
  performance。  〃In this; the most agitated of all his poems; we find
  the soul urging onward
  'Thro' utter dark a full…sail'd skiff;
  Unpiloted i' the echoing dance
  Of reboant whirlwinds;'
  and to the question; 'Why not believe; then?' we have as answer a
  simile of the sea; which cannot slumber like a mountain tarn; or
  'Draw down into his vexed pools
  All that blue heaven which hues and paves'
  the tranquil inland mere。〃 {3}
  The poet longs for the faith of his infant days and of his mother …
  〃Thy mild deep eyes upraised; that knew
  The beauty and repose of faith;
  And the clear spirit shining thro'。〃
  That faith is already shaken; and the long struggle for belief has
  already begun。
  Tennyson; according to Matthew Arnold; was not un esprit puissant。
  Other and younger critics; who have attained to a cock…certain mood
  of negation; are apt to blame him because; in fact; he did not
  finally agree with their opinions。  If a man is necessarily a
  weakling or a hypocrite because; after trying all things; he is not
  an atheist or a materialist; then the reproach of insincerity or of
  feebleness of mind must rest upon Tennyson。  But it is manifest that;
  almost in boyhood; he had already faced the ideas which; to one of
  his character; almost meant despair:  he had not kept his eyes
  closed。  To his extremely self…satisfied accusers we might answer; in
  lines from this earliest volume (The Mystic):…
  〃Ye scorn him with an undiscerning scorn;
  Ye cannot read the marvel in his eye;
  The still serene abstraction。〃
  He would behold
  〃One shadow in the midst of a great light;
  One reflex from eternity on time;
  One mighty countenance of perfect calm;
  Awful with most invariable eyes。〃
  His mystic of these boyish years …
  〃Often lying broad awake; and yet
  Remaining from the body; and apart
  In intellect and power and will; hath heard
  Time flowing in the middle of the night;
  And all things creeping to a day of doom。〃
  In this poem; never republished by the author; is an attempt to
  express an experience which in later years he more than once
  endeavoured to set forth in articulate speech; an experience which
  was destined to colour his finial speculations on ultimate problems
  of God and of the soul。  We shall later have to discuss the opinion
  of an eminent critic; Mr Fre