第 4 节
作者:点绛唇      更新:2021-02-20 15:51      字数:9322
  a spade a spade starts very early in our literature and comes
  down very late。  But the truth is that the ordinary honest man;
  whatever vague account he may have given of his feelings; was not
  either disgusted or even annoyed at the candour of the moderns。
  What disgusted him; and very justly; was not the presence
  of a clear realism; but the absence of a clear idealism。
  Strong and genuine religious sentiment has never had any objection
  to realism; on the contrary; religion was the realistic thing;
  the brutal thing; the thing that called names。  This is the great
  difference between some recent developments of Nonconformity and
  the great Puritanism of the seventeenth century。  It was the whole
  point of the Puritans that they cared nothing for decency。
  Modern Nonconformist newspapers distinguish themselves by suppressing
  precisely those nouns and adjectives which the founders of Nonconformity
  distinguished themselves by flinging at kings and queens。
  But if it was a chief claim of religion that it spoke plainly about evil;
  it was the chief claim of all that it spoke plainly about good。
  The thing which is resented; and; as I think; rightly resented;
  in that great modern literature of which Ibsen is typical;
  is that while the eye that can perceive what are the wrong things
  increases in an uncanny and devouring clarity; the eye which sees
  what things are right is growing mistier and mistier every moment;
  till it goes almost blind with doubt。  If we compare; let us say;
  the morality of the DIVINE COMEDY with the morality of Ibsen's GHOSTS;
  we shall see all that modern ethics have really done。
  No one; I imagine; will accuse the author of the INFERNO
  of an Early Victorian prudishness or a Podsnapian optimism。
  But Dante describes three moral instrumentsHeaven; Purgatory;
  and Hell; the vision of perfection; the vision of improvement;
  and the vision of failure。  Ibsen has only oneHell。
  It is often said; and with perfect truth; that no one could read
  a play like GHOSTS and remain indifferent to the necessity of an
  ethical self…command。 That is quite true; and the same is to be said
  of the most monstrous and material descriptions of the eternal fire。
  It is quite certain the realists like Zola do in one sense promote
  moralitythey promote it in the sense in which the hangman
  promotes it; in the sense in which the devil promotes it。
  But they only affect that small minority which will accept
  any virtue of courage。  Most healthy people dismiss these moral
  dangers as they dismiss the possibility of bombs or microbes。
  Modern realists are indeed Terrorists; like the dynamiters;
  and they fail just as much in their effort to create a thrill。
  Both realists and dynamiters are well…meaning people engaged
  in the task; so obviously ultimately hopeless; of using science
  to promote morality。
  I do not wish the reader to confuse me for a moment with those vague
  persons who imagine that Ibsen is what they call a pessimist。
  There are plenty of wholesome people in Ibsen; plenty of
  good people; plenty of happy people; plenty of examples of men
  acting wisely and things ending well。  That is not my meaning。
  My meaning is that Ibsen has throughout; and does not disguise;
  a certain vagueness and a changing attitude as well as a doubting
  attitude towards what is really wisdom and virtue in this life
  a vagueness which contrasts very remarkably with the decisiveness
  with which he pounces on something which he perceives to be a root
  of evil; some convention; some deception; some ignorance。
  We know that the hero of GHOSTS is mad; and we know why he is mad。
  We do also know that Dr。 Stockman is sane; but we do not know
  why he is sane。  Ibsen does not profess to know how virtue
  and happiness are brought about; in the sense that he professes
  to know how our modern sexual tragedies are brought about。
  Falsehood works ruin in THE PILLARS OF SOCIETY; but truth works equal
  ruin in THE WILD DUCK。  There are no cardinal virtues of Ibsenism。
  There is no ideal man of Ibsen。  All this is not only admitted;
  but vaunted in the most valuable and thoughtful of all the eulogies
  upon Ibsen; Mr。 Bernard Shaw's QUINTESSENCE OF IBSENISM。
  Mr。 Shaw sums up Ibsen's teaching in the phrase; 〃The golden
  rule is that there is no golden rule。〃  In his eyes this
  absence of an enduring and positive ideal; this absence
  of a permanent key to virtue; is the one great Ibsen merit。
  I am not discussing now with any fullness whether this is so or not。
  All I venture to point out; with an increased firmness;
  is that this omission; good or bad; does leave us face to face
  with the problem of a human consciousness filled with very
  definite images of evil; and with no definite image of good。
  To us light must be henceforward the dark thingthe thing of which
  we cannot speak。  To us; as to Milton's devils in Pandemonium;
  it is darkness that is visible。  The human race; according to religion;
  fell once; and in falling gained knowledge of good and of evil。
  Now we have fallen a second time; and only the knowledge of evil
  remains to us。
  A great silent collapse; an enormous unspoken disappointment;
  has in our time fallen on our Northern civilization。  All previous
  ages have sweated and been crucified in an attempt to realize
  what is really the right life; what was really the good man。
  A definite part of the modern world has come beyond question
  to the conclusion that there is no answer to these questions;
  that the most that we can do is to set up a few notice…boards
  at places of obvious danger; to warn men; for instance;
  against drinking themselves to death; or ignoring the mere
  existence of their neighbours。  Ibsen is the first to return
  from the baffled hunt to bring us the tidings of great failure。
  Every one of the popular modern phrases and ideals is
  a dodge in order to shirk the problem of what is good。
  We are fond of talking about 〃liberty〃; that; as we talk of it;
  is a dodge to avoid discussing what is good。  We are fond of talking
  about 〃progress〃; that is a dodge to avoid discussing what is good。
  We are fond of talking about 〃education〃; that is a dodge
  to avoid discussing what is good。  The modern man says; 〃Let us
  leave all these arbitrary standards and embrace liberty。〃
  This is; logically rendered; 〃Let us not decide what is good;
  but let it be considered good not to decide it。〃  He says;
  〃Away with your old moral formulae; I am for progress。〃
  This; logically stated; means; 〃Let us not settle what is good;
  but let us settle whether we are getting more of it。〃
  He says; 〃Neither in religion nor morality; my friend; lie the hopes
  of the race; but in education。〃  This; clearly expressed;
  means; 〃We cannot decide what is good; but let us give it
  to our children。〃
  Mr。 H。G。 Wells; that exceedingly clear…sighted man; has pointed out in a
  recent work that this has happened in connection with economic questions。
  The old economists; he says; made generalizations; and they were
  (in Mr。 Wells's view) mostly wrong。  But the new economists; he says;
  seem to have lost the power of making any generalizations at all。
  And they cover this incapacity with a general claim to be; in specific cases;
  regarded as 〃experts〃; a claim 〃proper enough in a hairdresser or a
  fashionable physician; but indecent in a philosopher or a man of science。〃
  But in spite of the refreshing rationality with which Mr。 Wells has
  indicated this; it must also be said that he himself has fallen
  into the same enormous modern error。  In the opening pages of that
  excellent book MANKIND IN THE MAKING; he dismisses the ideals of art;
  religion; abstract morality; and the rest; and says that he is going
  to consider men in their chief function; the function of parenthood。
  He is going to discuss life as a 〃tissue of births。〃  He is not going
  to ask what will produce satisfactory saints or satisfactory heroes;
  but what will produce satisfactory fathers and mothers。  The whole is set
  forward so sensibly that it is a few moments at least before the reader
  realises that it is another example of unconscious shirking。  What is the good
  of begetting a man until we have settled what is the good of being a man?
  You are merely handing on to him a problem you dare not settle yourself。
  It is as if a man were asked; 〃What is the use of a hammer?〃 and answered;
  〃To make hammers〃; and when asked; 〃And of those hammers; what is
  the use?〃 answered; 〃To make h